The Fall of Mir

Ten years ago today — March 23, 2001 — the Mir space station fell to Earth.


(Mir, as seen from the Shuttle Atlantis on STS-71. NASA image.)

The first components of Mir were launched in February 1986, as I noted in this space history blog entry. The station remained in orbit three times longer than its design life of 5 years.

After more than 86,000 total orbits, Mir re-entered Earth’s atmosphere on Friday, March 23, 2001, at 9 a.m. Moscow time. The 134-ton space structure broke up over the southern Pacific Ocean. Some of its larger pieces blazed harmlessly into the sea, about 1,800 miles east of New Zealand. Observers in Fiji reported spectacular gold- and white-streaming lights. An amazing saga and a highly successful program finally had come to a watery end.

Now, as the main character in my first published short story* lamented, Mir and its predecessors are “rusting homes to fish instead of men.”

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*To complete the shameless plug, you can add “The Rocket Seamstress” to your own made-to-order anthology of short stories on the Anthology Builder site.

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Codex Blog Tour: LEAH CYPESS

Continuing our discontinuous series of “blog tour” posts featuring fellow members of the Codex Writers online community ….

Today we talk (so to type) with Leah Cypess, author of Mistwood (published last year in hardcover and coming out in paperback in April).

Mistwood is the story of an ancient shapeshifter bound by a spell to protect the kings of a certain dynasty. And of a confused girl found in a forest who is told she is that ancient shapeshifter, even though she can’t remember anything about her past. Possibly they’re the same story … possibly not. She’ll have to figure it out while protecting the current prince, navigating his intrigue-filled court, and making sure nobody finds out that she has lost both her memory and her powers.


(Mistwood cover art. Click to enlarge.)

We appreciate Leah taking the time to answer our questions about how she turned her idea for Mistwoodinto reality.

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When you first conceived of Mistwood, did you start working on it right away, or did you set the idea aside for a period of time?

I didn’t conceive of the book as a whole so much as I conceived of the first scene — an image of men riding into a misty forest in search of a supernatural creature. I started writing that first scene as soon as I thought of it, and continued working on the book pretty regularly after that (with “regularly” modified by the fact that I was in law school at the time).

Wow, law school and novel writing at the same time — how did that work? How long did it take to write the book and then to shop it around?

Since I was in law school when I started working on Mistwood, I had many interruptions along the way — including a revision request from an editor for a previous manuscript, and then working at a law firm, which was a rather large interruption.

I finished a basic first draft over three years, where “basic” means “scattered throughout various notebooks I used to bring with me on my morning commute.” After two years of working at a law firm, I quit and spent some time writing full-time; during the first few months of my full-time stint, I finished both Mistwood and another manuscript I had been working on.

After some thought, I decided to submit the other manuscript first, because it was about vampires and I was under the impression that vampires were hot. Turned out that by the time I started submitting, vampires were no longer hot, and I got a bunch of rejection letters saying, essentially, “Good story but we’re sick of vampires.”

One of those rejection letters, from an editor at Greenwillow Books (HarperCollins), was very detailed and included a request that I send her future manuscripts. So I sent her the query and first two chapters of Mistwood, a manuscript I hadn’t looked at closely for over a year. She sent a request for the full about a month later, and then emailed me two weeks after I sent it to say she was interested in the manuscript and wanted to show it to the other editors.

What major obstacle did you have to overcome while working on Mistwood, and how did you overcome it?

My biggest obstacle was that I wrote the book over the course of three years and in a very disjointed fashion. When I finally gathered together all the various pieces, it turned out I had written some scenes that completely contradicted each other, others that were out of order, and had written at least one scene twice! Piecing it all together in a way that made sense was rather headache-inducing. I could never have managed it without the help of critique groups (I sent it through Critters a total of four times!) who could point out things like, “Your heroine made the same shocking discovery twice,” or, “but she already knew that in Chapter Four!”

What was the biggest surprise you got out of working on this project? Is there anything in particular you hope your readers get out of the finished work?

As someone who worked for 15 years to get a novel published — and who had the experience of watching a manuscript be considered by a publisher for two years before being rejected! — I was very pleasantly surprised by how fast it happened once it happened. (Though publishing is still a very slow business, overall; that patience I acquired has come in handy more than once.)

The most important thing I want my readers to get out of any of my books is a great reading experience. But I also hope that experiencing my main character’s dilemma might help someone who is faced with difficult choices.

You’ve got a new novel coming out soon … what did you learn from Mistwoodthat you applied to it?

My new novel, Nightspell, a stand-alone companion novel to Mistwood, will be published in May 2011. The first draft of Nightspell was mostly written by the time I sold Mistwood, but I learned a lot from the revision process for Mistwood — mostly about keeping scenes tight and clarifying characters’ motivations — that I applied while revising Nightspell.


(Nightspell cover art. Click to enlarge.)

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Leah’s 15-year odyssey to publication is a great example of perseverance, and an inspiration to those of us who are working and writing, and writing and working.

A little about Leah: She used to be a practicing attorney in New York City, and is now a full-time writer in Boston. She much prefers her current situation.


(Leah Cypess. Click to enlarge.)

Leah published her first short story (in Marion Zimmer Bradley’s Fantasy Magazine) while still in high school, and a mere 15 years later, finally sold her first novel. Mistwood was published by HarperCollins (Greenwillow) in 2010; Leah’s second novel, Nightspell, will be published in May 2011.

Mistwood‘s paperback release is April 26th, and Nightspell will be released in hardcover on May 31st.

For more information, visit Leah’s web site at http://www.leahcypess.com/.

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Codex Blog Tour: GARETH L. POWELL

Today we begin a discontinuous set of posts as part of a “blog tour” featuring fellow members of the Codex Writers online community.

Our first featured author is Gareth L. Powell, author of the novels The Recollection (forthcoming from Solaris Books) and Silversands, and the acclaimed short story collection The Last Reef. He is a regular contributor to the wonderful British SF magazine Interzone, and his work has appeared in a number of recent anthologies.

Gareth has given guest lectures on creative writing at Bath Spa University, and has written a series of non-fiction articles on science fiction for The Irish Times. In addition to Interzone, his work has been published in magazines all over the world, including: Hub, Best SF, Concept Sci-fi, Infinity Plus, Fiction, Ennea, Nowa Fantastyka, Aphelion, Quantum Muse, Byzarium, Phantastes, Bli Panika, Tank, Outshine, and Efimero.

Gareth’s short story “Ack-Ack Macaque” won the Interzone Readers’ Poll for best short story of 2007. He can be found online at www.garethlpowell.com.


(The Recollection cover art. Click to enlarge.)

Gareth’s new book, The Recollection, combines contemporary action with far-future “space opera”:

In modern-day London, failed artist Ed Rico is secretly in love with his brother’s wife, Alice. When his brother disappears on a London Underground escalator, Ed and Alice have to put aside their personal feelings in order to find him. Their quest reveals to them terrifying glimpses of alien worlds and the far future.

Meanwhile, 400 years in the future, Katherine Abdulov must travel to a remote planet in order to regain the trust of her influential family. The only person standing in her way is her former lover, Victor Luciano, the ruthless employee of a rival trading firm. And in the unforgiving depths of space, an ancient evil stirs…

I really appreciate Gareth taking the time to answer a few questions about how he took the idea for The Recollection and turned it into reality.

How long was it between first conceiving this project and actually starting to work on it in earnest?

I conceived the core idea of The Recollection in 2003, shortly after I finished writing my first book, Silversands. I wrote some plot and background notes, and then put the idea to one side. At that time, I hadn’t had anything published, and I figured it would be a lot easier to generate some interest in Silversands if I had a few magazine credits to my name; so I spent the next few years concentrating on short fiction.

I made my first sale to Interzone in 2006, and that led to the publication of my first short story collection The Last Reef in 2008. After that came out, I decided the time was right to take the lessons I’d learned from short fiction and apply them to a novel-length project; and so I dug out my old notes and started work. Along the way, Silversands was picked up by Pendragon Press and published last year.

How long did it take to complete the book? How did the stages progress, e.g., research, writing, editing, etc.?

Not long after I started writing the book, I was introduced Jon Oliver, the Editor-in-Chief of Solaris Books, at a convention. He agreed to take a look at it, so I sent him the first 50 pages and a 3000-word synopsis, on the strength of which he commissioned the novel. After that, it was simply a matter of finishing the book.

I finished the first draft at the end of October and sent it out to a handful of friends for their comments. Then, having made one or two slight changes based on their feedback, I delivered the manuscript to Jon in November.

What major obstacles did you have to overcome while working on The Recollection? How did you overcome it them?

The obstacles I had were the same as those faced by anyone with a young family, a mortgage and bills to pay. I had to squeeze my writing time between my day job and my parental responsibilities.

Luckily, I have a patient and understanding wife. With her encouragement, I took a part time job which allowed me a free day during the week to write while the kids were at school. I also wrote in the evenings after they were in bed.

I found that by trying to write every night, I soon got in a routine and the words started to flow. I didn’t worry too much about hitting a daily target; if the words came and were good, I was happy. Even if I only wrote a paragraph in an evening, I knew that the next day I might write two or three thousand words, so it all balanced out; and every sentence was a step closer to my goal.


(Gareth L. Powell. Click to enlarge.)

What was the biggest surprise you got out of working on The Recollection?

I was surprised at just how much fun this book was to write. By the time I was halfway through, I was flying along. The characters and plot had come alive, and I couldn’t wait to dive in each day and spend some more time in their company.

Most of the short fiction I’ve written has been set on Earth in the near-future, so it was great to be producing an epic widescreen space opera. As a kid, I always loved those sorts of books. I dug the hardware. So it was fantastic to have the chance to pour my love of the genre into a book of my own.

What’s your next project?

I have other novels up my sleeves. There may even be a sequel or two to The Recollection. I am also considering a second short story collection, bringing together a lot of the stories I’ve had published in magazines and anthologies over the last couple of years, since the release of The Last Reef.

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Speaking of anthologies, Gareth’s work is featured in a number of recent anthologies, including Shine (Solaris, 2010), Conflicts (NewCon Press, 2010), Dark Spires (Wizard’s Tower, 2010), 2020 Visions (M-Brane, 2010), and Future Bristol (Swimming Kangaroo, 2009).

The Recollection will be released on September 1st, 2011, but can be pre-ordered now on Amazon.

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Atlantis and Destiny

Ten years ago today — February 7, 2001 — the Space Shuttle Atlantis launched from Kennedy Space Center, on its way to the International Space Station.


(Destiny module being installed on the International Space Station. NASA image.)

STS-98 astronauts Kenneth D. Cockrell, Mark L. Polansky, Robert L. Curbeam, Thomas D. Jones, and Marsha S. Ivins transported the U.S. laboratory module “Destiny” and installed it on the ISS.

And, speaking of destiny, 20 years ago today the Salyut-7 space station was de-orbited after nearly nine years of operations. The main character in my story, “The Rocket Seamstress,”* bemoaned its loss:

Where are Salyut and Mir, Mother Russia’s glorious outposts? Rusting homes to fish instead of men.

May we one day have outposts in space that are not in any danger of falling from the sky.

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*The story appeared in Zahir in 2007, and is available now on Anthology Builder.

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January 15th Space History: Spacecraft Launching and Returning

Thirty-five years ago today — January 15, 1976 — a Titan-IIIE rocket with Centaur upper stage launched from Cape Canaveral carrying the Helios-B spacecraft on a unique deep-space mission.

Helios-B was developed by the Federal Republic of Germany, but as a cooperative program with NASA it carried both German and U.S. experiments. Its mission was to characterize the “interplanetary medium” inward from Earth’s orbit. Within only a few months, Helios-B had reached perihelion — the closest point in its orbit to the Sun — at a distance of 43.432 million kilometers (26.987 million miles, or 0.29 astronomical units), meaning that it was closer to the Sun than the planet Mercury. That’s the closest any space probe has ever gotten to the Sun.

From sending probes into space to welcoming them home …

Fast forward 30 years, to January 15, 2006, when the Stardust capsule returned to Earth with samples taken around the vicinity of Comet Wild-2.


(Microscopic view of one of the “Calcium Aluminum Inclusion” particles returned to Earth by the Stardust mission. NASA image.)

Scientists have been studying the materials trapped in Stardust’s aerogel, with surprising results including “a remarkable set of minerals that form at extremely high temperature” and the amino acid, glycine. Pretty amazing, considering the capsule entered the Earth’s atmosphere at over 28,000 miles per hour: the fastest-ever reentry of anything we’ve ever sent into space.

[BREAK, BREAK]

In other news, the first day of the MarsCon science fiction & fantasy convention went well. (Nothing like showing up at a panel to provide moral support and being invited to participate.) Today I’m sequestering myself, trying to finish writing a short story before I venture back out. That’s my next task, as soon as this post is live … wish me luck.

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On Unpreparedness

I was not a Boy Scout for long — one of many childhood endeavors I didn’t complete, and opportunities I squandered — but I was a Scout long enough to remember the motto: “Be Prepared.”

Would that I had lived up to it last night.

It’s not that I didn’t prepare at all for my part of the “Speculative Fiction Night” sponsored by Bull Spec magazine (fourth issue on newstands now!). Before I left the house, I thumbed through Orson Scott Card‘s Characters and Viewpoint and a couple of novels to check my memory of their treatment of point of view — including, for instance, Robert A. Heinlein’s The Number of the Beast, with its multiple first-person storytelling.

Then, having made no notes and instead trusting to my memory, I drove to Durham. My intent was to conduct a thoroughly unscientific poll of the forty or fifty attendees on their reading preferences (which I did, though not well) and to ask them how much an author’s choice and handling of point of view affects their reading enjoyment (which I botched most thoroughly). That’s right: after stumbling through the first few questions, I forgot the key question I meant to ask the audience.

Overall, and despite my poor performance, the event went quite well. I chatted with several author friends and SF&F fans, and heard some nice praise from the audience for Baen Books (and especially the new Baen website). I finally snagged a copy of The Greyfriar — with a name like Gray, how could I not? — and got Clay and Susan Griffith to sign it, and also picked up Forbidden Cargo by newly local author Rebecca Rowe. If I didn’t have to go to work this morning (thanks, Tuesday’s ice storm, for throwing off my schedule), I could’ve spent more time with Samuel M. Blinn, Bull Spec editor and our host for the evening, Ada Milenkovich Brown, James Maxey, et al. But, alas, my devotion to Ben Franklin’s dictum forced me home.*

In sum, it was a nice evening — I just wish I’d done better for my part. For anyone who might have been there, I apologize for my unpreparedness. The next time I go to something like that, I’ll just plan to read from a short story and be done with it.

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*I don’t know why I follow his advice. So far it hasn’t made me particularly healthy, wealthy, or wise.

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So I'm Officially a 'New' Writer

This week I confirmed that my one publication in 2010 — “Memorial at Copernicus,” in Redstone Science Fiction — did, in fact, make me eligible for the Campbell Award. For folks unfamiliar with Science Fiction and Fantasy awards, the full title is the “John W. Campbell Award for Best New Writer.”

One story, of course, is not enough to justify actually being nominated by WorldCon (specifically, Renovation) members. But … since eligibility runs by calendar year, I wonder if I can sell enough stories to have something to show by the time 2011 winds down and my eligibility ends. Probably not at the rate that I write and submit them. And even if everything I sent out got accepted tomorrow, I doubt I would have a great shot at winning.

Still, it’s a delicious irony whenever someone my age is eligible to be the best “new” anything.

And in the end, I don’t want to feel as though I let my eligibility go to waste. So back to the grindstone I go. And to the Post Office, as soon as I print out a couple of manuscripts.

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Starting 2011 Off Right … and 'Write'

For this introvert who rarely ventures forth into polite company, or even impolite company, last night was especially uncommon: I had two New Year’s Eve parties to attend.

First was a soiree hosted by James Maxey, featuring many of our fellow Codex Writers who live in North Carolina. (Last year James convinced us all to go to breakfast together on New Year’s Day, and he’s hosted movie nights and other parties — he’s a great instigator of these get-togethers.) Terrific conversation, some truly excellent food, and of course some folks were just arriving when I was getting ready to leave for the next event. C’est la vie.

Driving at 10 p.m. on New Year’s Eve is quite pleasant, because hardly anyone else is on the road. So I made good time getting to the second party, a small gathering of folks from North Cary Baptist Church. I arrived too late for the games, but still found plenty of wonderful food to eat, and it was good to ring in the New Year with family and friends.

Which brings me to this morning. As usual, I was the first person awake in the house, so after feeding the dog and the cat I decided to start off 2011 by adding a few paragraphs to the short story I’ve been writing. I didn’t write much — maybe 150 words — so the gesture was more symbol than substance, but it feels good to have started the year doing what I think I’m supposed to be doing.

And with that, I wish for all of you a 2011 that starts off right, gets progressively better, and ends with spectacular success.

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Mercury-Redstone-1A

Fifty years ago today — December 19, 1960 — the first Mercury-Redstone capsule was sent into space.


(Mercury-Redstone-1A launch. NASA image.)

MR-1A was a suborbital flight from Cape Canaveral, designated “1A” because MR-1 had failed its launch attempt in November. This flight was intended to qualify the systems for eventual orbital flights, and it achieved all the mission objectives.

This particular launch — and especially the name of that launch vehicle — presents a good opportunity for a plug for Redstone Science Fiction, the new online magazine that published my story, “Memorial at Copernicus.” Shameless, I know … but I can live with that.

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