Tag Archives: fantasy

New Songs at StellarCon

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What a difference a year makes!

At the time of StellarCon last year, I had written a grand total of one filk song, which I sang (a year ago today, in fact) at the DeepSouthCon 50 party: “The Monster Hunter Ballad.”

Fast forward to this past weekend at StellarCon 36, and my filk repertoire had grown to the point that I debuted two songs on Friday night: the Firefly tribute song “Finding Serenity,” and “Don’t Cry When You Get Rejected” (to the tune of “Don’t Cry for Me, Argentina”).

But that wasn’t enough. Saturday afternoon I finished a Hobbit song I’d been working on, so that night I debuted “Thorin Oakenshield” (to the tune of “Rudolph, the Red Nosed Reindeer”). And even that wasn’t enough: I had started writing another new song at the con on Friday, and by Saturday night I had a couple of verses and a chorus for “Steampunk Pirates.” So the filk circle on Saturday also heard me sing my work-in-progress.

What is this craziness?

Whatever it is, it’s fun.

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MystiCon Report

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Last weekend I returned to MystiCon in Roanoke, Virginia, and had a splendid — and at one point scary — time.

The splendid part was spending concentrated time with several of my writing friends. I had a couple of long conversations with Genre Princess Alethea Kontis, in which we commiserated about not being able to set aside sufficient time to do our own writing. (Everyone should make note of the fact that Lee’s book, Enchanted, is coming out in just a couple of months!)

I also had pleasant conversations with many other fine folks, including Gail Z. Martin, whose outlook on the current state of publishing was quite refreshing; Allen Wold, who graciously allowed me to serve again as a panelist in his writing workshop; David Halperin, whose insights during the “UFO Investigations” panel meant that I didn’t have to say much; and Danny Birt, who was kind enough to include me in a supper outing.

The scary part was finding out on Sunday morning that I’d slept through the hotel fire alarm the previous night. Not good! Had it been an actual fire, I might not be typing this blog post … and what a loss that would be. Ha!

All in all, a good time — and now, on to StellarCon!

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My MystiCon Schedule

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This weekend I’ll be in Roanoke, Virginia, for MystiCon.

I’m not an official guest, but I’ll still take part in a couple of panels:

  • This Is The End ‐ How and When to End A Series (Friday, 3 p.m.)
  • UFO Investigations (Saturday, 1 p.m.)

I’ll see if I can worm my way into anything else interesting. Safe travels!

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Great News! for Several Friends

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First, hearty congratulations to all my friends who garnered Nebula Award nominations! Several of the stories I nominated made the ballot (this was the first time I’ve been able to nominate, having recently upgraded my SFWA membership), and everyone on the list deserves a round of applause. The complete list is linked here, but I’m happiest for the folks I’ve gotten to know on-line or in-person — some very recently and some with whom I’ve been friends for several years — namely,

  • Mary Robinette Kowal, nominated for “Kiss Me Twice” (novella)
  • Kij Johnson, nominated for “The Man Who Bridged the Mist” (novella)
  • Ken Liu, nominated for “The Man Who Ended History: A Documentary” (novella) and “The Paper Menagerie” (short story)
  • Rachel Swirsky, nominated for “Fields of Gold” (novelette)
  • Brad R. Torgersen, nominated for “Ray of Light” (novelette)
  • Ferrett Steinmetz, nominated for “Sauerkraut Station” (novelette)
  • Katherine Sparrow, nominated for “The Migratory Pattern of Dancers” (novelette)
  • Jake Kerr, nominated for “The Old Equations” (novelette)
  • Tom Crosshill, nominated for “Mama, We are Zhenya, Your Son” (short story)
  • Aliette de Bodard, nominated for “Shipbirth” (short story)
  • Nancy Fulda, nominated for “Movement” (short story)
  • David W. Goldman, nominated for “The Axiom of Choice” (short story)

Now, of course, I have to figure out who I’m going to vote for. Along those lines, I’ll resurrect the line from my “Playing Politics” song: “I don’t know how much they’ll bribe me, I’ll just have to wait and see.”

Second, congratulations to my friend Jeff LaSala on the release of his Foreshadows project. (Full disclosure: Jeff and I are both slimy contractors for Baen Books.)


(Sample of Talon Dunning’s art for Foreshadows, from the Foreshadows web site.)

Foreshadows: The Ghost of Zero is an ambitious multi-media project combining original music, original fiction, and original artwork. Jeff, his brother, and several others collaborated on it, and the end result is very impressive.

I haven’t read many of the stories yet, but I’ve listened to all the music and it’s very evocative. (I admit that I’m not a big fan of “techno” and much of this music is of that style, but in terms of conveying the emotional undertones of the stories I think it works well.) My favorite of the songs is “Made in Brazil | Living in Japan.” The artwork, too, is extremely well done.

Check it out at http://foreshadows.net/!

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All That is Gold Does Not Glitter — J.R.R. Tolkien

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Facebook friends have already seen this on my status, and will see it again when this blog post shows up there. But I’m proud, so I’ll take the risk.

The video below is “kinetic typography” by my son Chris (a.k.a. Topher):

He chose a verse from Tolkien’s The Lord of the Rings, and composed and performed the hammered dulcimer background music.

I think it turned out right nice.

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On Being an Old(er), New(er) Writer

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Or, brief thoughts on my 2nd year of Campbell Award eligibility.


How can someone this old be a new writer?

This is what comes from having second or third careers: the experience of once again being “new” at something. It’s actually a pretty familiar feeling for me, having gone from assignment to assignment in the Air Force … especially since so many of my assignments were wildly different from one another. But it’s also odd to be pushing 50 years of age and yet be a newbie.*

But when it comes to this science fiction and fantasy writing game, I feel newer than new.

I’ve made some progress with the writing thing: to date I’ve published five short stories in the genre, with two more on the way this year. I’m pleased with that, and in some respects I’ve reached a level of success I wasn’t sure I would ever achieve. But I know I have a very long way to go, so much so that it seems unreal that my limited success has placed me in my second** year of eligibility for the John W. Campbell Award for Best New Writer.

If you visit the Campbell Award page via that last link and scroll down, you’ll see all the Campbell-eligible authors listed. I am in some wonderful company, as I know several of the writers who are both first- and second-year eligibles. Everyone eligible has the option of putting together a personal profile with a bio and such, and I have my own Campbell Award profile, too. In a few months we’ll find out who received enough nominations to go on the final ballot. (I may receive a nomination or two, and I’m grateful to the folks who brought my name up this past weekend at illogiCon, but I feel that most of the others on the list have better credentials for being on the ballot than I do.)

The whole thing — the publishing success as well as the award eligibility — seems very strange, as if it’s happening to someone else and I’m just spectating. I wonder how long it will take for that feeling to wear off, if it ever does. Because not only do I know that I’m still very new at this, but I feel as if I’ll be “new” at it for years to come.

And maybe that’s not all bad. In the same vein as “you’re as young as you feel,” maybe I can get away with continuing to feel “new” at this science fiction game for a long, long time.

___
*Holy moley, am I really that old? It used to be that I was younger than I looked. Maybe I still am.
**And final!

Image Credit: Eternal Rose Photography, 2010.

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Outbrief on illogiCon

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This past weekend I had the honor of being one of the guests at the first-ever illogiCon, a local fan-run science fiction & fantasy convention.


(At the panel on Ethics in Science Fiction. L-R: Gray, Kij Johnson, Samuel Montgomery-Blinn, Guest of Honor Joe Haldeman, and John Kessel.)

I had a terrific time at the con, and it seemed that everyone else did, too. At times I was a little over-awed by some of the other writers on my panels — I felt as if anything I had to say would be trivial, and would have preferred to just sit and listen — but had fun and sometimes lively discussions on topics ranging from “Do We Need a New Definition of Literacy?” to “Interstellar Transportation.”

Friday evening I had my first official reading, which was an interesting experience. I was paired with Tony Daniel, the newest full-time editor at Baen Books, who read from his novel Guardian of Night — he described it conceptually as The Hunt for Red October in space, and it features an alien species that communicates in a very unique way.

I started my part of the reading with a song: the debut of “A Ship With No Name,” which I think is a fun little number to the tune of “A Horse With No Name.” I was gratified that folks actually laughed in the right spots, and sang along with the “la-la” parts.

Then I read the opening of my story “Sensitive, Compartmented,” which is scheduled to appear in the April/May issue of Asimov’s Science Fiction Magazine — my first publication in Asimov’s. The best feedback I got was when two different people asked me to remind them of when and where the story was going to appear, because they wanted to see how it ends.

The rest of the con was a mix of panels and socializing, which is always a good mix. I met some new folks, and even got to hang out with the Guest of Honor, Joe Haldeman, and his charming wife, Gay. The only disappointment was when I went upstairs late Saturday night to what I thought was going to be “open filk” and found the room empty except for hotel staff who were cleaning up.

But, all in all, a good time was had by me. I hope the illogiCon staff is pleased with how well the con went. Great work, folks!

Next up for me: MystiCon in Roanoke, Virginia. Hope to see you there!

___

Image Credit: Calvin Powers, from http://www.cspowers.com/illogicon-2012-con-report/. Permission requested.

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My illogiCon Schedule

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This coming weekend I’ll be at the newest local SF&F convention, illogiCon. The Guest of Honor is Hugo- and Nebula-Award winning author Joe Haldeman.


(The illogiCon mascot, Professor Schroedington.)

They’ve got me pretty busy, probably to keep me from getting in too much trouble.

On Friday the 13th I have one panel and a reading:

  • 4:00 PM – Do We Need a New Definition of Literacy?
  • 8:00 PM – Reading (along with Tony Daniel, the newest editor at Baen Books) — and, there may be singing of a filkish nature
  • Later – Filk

Saturday should be interesting:

  • 11:00 AM – Science Fiction and Ethics
  • Noon – The Day Job With Writing at Night
  • 1:30 PM – Baen Traveling Slideshow
  • 8:00 PM – The Golden/Silver/Bronze Ages of Science Fiction/Fantasy
  • Later – Filk

And Sunday’s panels all focus on science-y topics:

  • 10:00 AM – Interstellar Transportation
  • 2:00 PM – The Future From Now
  • 3:00 PM – Is the United States Still #1 in the Space Race?

All the festivities take place at the Brownstone Inn — a.k.a. the Doubletree by Hilton Raleigh Brownstone-University — on Hillsborough Street. Hope to see you there!

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Hugos, and Nebulas, and Pegasi, Oh, My!

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I’ve seen quite a few “Hugo Nominations” blog posts since the turn of the new year — because the nomination period is now open — and a few other awards-related posts way back in late 2011. I even wrote an awards post back in early December, asking for reading suggestions for the Nebula Awards.

So, as yet another exercise in self-promotion, here’s my most detailed awards season post ever.

First, if you don’t care what the Hugo Awards are, or the Nebula Awards, or the Pegasus Awards, then thanks for reading this far anyway! If you think you might care, but just don’t know what they are, I’ll give a brief run-down of each.

The Hugos and Nebulas are Science Fiction & Fantasy awards. By analogy to film awards, the Hugos are roughly equivalent to the Golden Globes, and are given out at every World Science Fiction Convention; the Nebulas are roughly equivalent to the Academy Awards (since they’re voted on by members of the profession), and are given out at a special weekend event held by the Science Fiction & Fantasy Writers of America.

I have two stories eligible for these awards:

  • In the short story category: “The Tower,” published in Crossed Genres Quarterly in June 2011. This is a “swords and sorcery” fantasy, in which there are swords and something resembling sorcery.
  • In the novelette category: “Therapeutic Mathematics and the Physics of Curve Balls,” published in Analog Science Fiction & Fact in September 2011. This is the story of a boy in a freak show who retreats into mathematics for comfort and sanity.

To nominate and vote for the Hugos, you have to be a member of WorldCon. A supporting membership (i.e., that gets you voting rights and usually an electronic package full of the nominated stories and artwork) is $50, so it’s not a trivial matter. If you think you might actually want to attend, this year’s WorldCon is at Chicon in Chicago. But to nominate and vote for the Nebulas, you have to be a member of SFWA, and that’s a big deal to some of us.

In contrast to the Hugos and Nebulas, the Pegasus Awards are “filk” awards, i.e., awards for science fiction & fantasy-related folk singing. (What can sometimes be confusing is that there are also other Pegasus Awards for video production.) The Pegasus Awards are given out every year by the Ohio Valley Filk Fest. They give awards in several categories, including Best Filk Song, Best Writer/Composer, Best Performer, and “Baddest-Ass” Song.

Pegasus Award nominations are made “by the people of the filk community,” whatever that means, although “voting is open to anyone with an interest in filk music.” The nomination period begins around Memorial Day and continues through July, then voting is open until Labor Day. More details about nomination submissions and such are yet to come; however, in the interest of planning ahead, I sang two songs around filk circles last year that should be eligible to be nominated:

  • “Saving Throws,” a Dungeons & Dragons-related song to the tune of “Edelweiss”
  • “The Monster Hunter Ballad”, inspired by the series of books by Larry Correia*

And thus concludes my shameless plug for the day.

___
*FULL DISCLOSURE: Larry’s Monster Hunter books are published by Baen Books, and I’m one of Baen’s contractors.

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Hello, 2012

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I spent the last few days of 2011 in Myrtle Beach, finishing several projects that I’d left undone through the year. Now, it seems appropriate to start 2012 with a “year in review” post.


Happy New Year 2012! by Creativity103, on Flickr

My biggest news of 2011 was having “Therapeutic Mathematics and the Physics of Curve Balls” published in the September 2011 issue of Analog Science Fiction & Fact.

In other 2011 news, I got involved in filk, which is fannish folk singing — i.e., writing and performing folk songs with a science fiction or fantasy focus. A few of my meager efforts are now on YouTube, and they’ve generally been well-received … especially “The Monster Hunter Ballad”.

As for the goals I set myself in 2011, I had mixed results:

  • I continued searching, though not very diligently, for a willing publisher for my novel. It’s still on the waiting list at a couple of houses.
  • I did not begin a new novel.
  • I completed four short stories, and revised a couple of old “flash fiction” pieces along the way.
  • I maintained this blog and my web site, including my series of occasional “space history” items.
  • I revised one of my unpublished nonfiction manuscripts.
  • I kept my Baen Books job, and succeeded in eliminating the backlog of electronic slush (with the exception of a goodly number of better submissions held for special review). In addition, one of my recommendations was contracted for publication.
  • I kept my NC State job, in which I still primarily write for the IES Executive Director.
  • I continued to plan and present praise and worship at North Cary Baptist Church.
  • I completed my term of service on the Town of Cary Public Art Advisory Board.

In general, in 2011 I tried to achieve an overall goal of “less pressure, more fun.” Unfortunately, the daily/weekly/monthly grind of juggling multiple jobs, various church functions, and other responsibilities made that a bit difficult. In the end, while I didn’t exactly fail at it, I certainly didn’t succeed … so I call it even.

And now I suppose I should put together some goals for 2012.

Hope your old year was good and your new year is better!

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